You by Caroline Kepnes (Atria Books/Emily Bestler, September
2014)
When M.F.A. student Guinevere Beck walks into the East Village
bookstore where Joe Golberg works, he is instantly obsessed with her, that they
are soul mates, even if she doesn’t realize it yet. Joe stalks Guinevere, intervening when she is
in trouble like an ill-intentioned guardian angel. A drunken incident on a subway platform late
one night finally reveals Joe to Guinevere and he is able to convince himself,
if not Guinevere, that they are in a relationship that nothing or no one can
stand in the way of. Joe doesn’t realize
that Beck (as she calls herself) is a bit like a psychotic Holly Golightly and
has created a façade of who she thinks she should be if not who she wants to be
and spends more time on real life performance art drama than on her
writing. Beck senses Joe is a little
off, but is too wrapped up in herself to realize just how much until it is too
late. Told in alternating voices, Joe
refers to Beck as “You” in his narrative, a sound that has the pulsing throb of
a Cole Porter song, but the lunacy and obsession of a dangerous stalker. Creepy without being gruesome, tension comes
from Joe and Beck’s thoughts and obsessions rather than violence and the idea
that this is very plausible. A
well-constructed novel that does not resort to the tropes so often found in first
novels.
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