After I’m Gone by Laura Lippman (William Morrow, February
11, 2014)
In another stand-alone by the author of the Tess Monaghan (who
makes a cameo at the end) mystery series, Laura Lippman explores not only what
happens when a cold case file from over thirty-years ago is looked at with new
eyes, she also depicts women in society and the family from the turn of 1960
until modern day. Baltimore gambling
boss Felix Brewer would rather leave his wife Bambi, who he adores, and his
three daughters, ages three, fourteen and seventeen, rather than spend fifteen
years in jail. He also leaves his
mistress, Julie Saxony, who his wife knows about, and who is pretty certain Felix
will send for her after a time. Ten
years, almost to the day of Felix’s disappearance, Julie also disappeared. Everyone assumes Felix finally sent for her,
but in 2001, her body is discovered behind Bambi’s house and the police
department opens a murder investigation which is never solved. Ten years later, Sandy Sanchez, a retired
Baltimore detective, is consulting on the department’s cold cases and decides
to take another look. As he does, he
realizes that there is definitely a connection between Felix and Julie’s murder
and tracks down all the players, including Felix’s lawyer and Bambi’s
confident, Bert Gelman, and the bail bondsman Tubby Schroeder who took a bath
when Felix went on the lam. Writing back
and forth from the past to the present, Lippman tells the story of Felix and
Bambi’s marriage, the story of Felix and Julie, Julie’s sister and the story of
each of his daughters and how each is connected with Felix and with Julie and how
in the end, we are ultimately responsible for our own actions and cannot try
and take the blame, or hide, what someone else has done. Lippman slowly teases the truth out as she
untangles over fifty years of lies and deception. Strong characterization, especially the women, add another
layer to the already rich narrative which is so much more than a traditional mystery.
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